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“THEURGY” PHILOSOPHICAL CONCEPT AND RELATIONSHIPS BETWEEN PHILOSOPHY, ART AND RELIGION IN MODERN RUSSIA

https://doi.org/10.24833/2541-8831-2018-3-15-57

Abstract

The closer to the end of the positivist NINETEENTH century., the century of modern revolutions, the more obvious was the increase in the world of evil. The philosophers had a presentiment of the revival  of the Gnostic complex of this world alien to man. The isolation of  different spheres of culture, although perceived and evaluated as  progress, nevertheless, provoked an urgent need for unity, in the synthesis of differentiated areas – art, creativity, mythology,  poetry, culture, philosophy and, of course, religion, which under the  pressure of modernity appeared on the periphery of culture. But, in  fact, the peripheral sphere of art Nouveau has made culture. The era of revolutions was unfavorable not only for the Church, but also for  culture. Utopian consciousness, which possessed the masses,  demanded the immediate destruction of traditional values. Sociology as the design of new societies has slowed down the formation of  cultural reflection. It will be revived only near the end of the  twentieth century, when the desacralization of the revolution will  unfold and its positive and negative sides will become obvious. The  reverse side of progress, the growth of evil in the world and the  vulnerability of the separation of different spheres were keenly  felt by Russian religious philosophers at the turn of the X1X-XX  centuries.they were the first to put forward the idea of Theurgy, that  is, the unity of the isolated spheres for the sake of the  transformation of the world. In this unity, religion had to take a  significant, if not decisive place. However, in the Russian revolution  of 1917 there was an explosion of atheism. In fact, the Church went  to the catacombs. But the same catacomb, in the words of E.  Unknown, was the whole culture. The author of this article shows  how from the era of the thaw gradually begins to get rid of the  destructive complex and unfolds the restoration of the former ties  between culture, philosophy, art and religion.

About the Author

N. A. Khrenov
Moscow State University of Culture State Institute of Art Studies
Russian Federation

Doctor of Sciences (Philosophy), Professor of the Department of Cinema and Television of the Moscow State University of Culture, Deputy of Director for Science of the State Institute of Art Studies

Russia, 125009, Moscow, Kozitskiy lane 5

Research interests: interdisciplinary methodology of studying art history, aesthetics, sociology and social psychology of art, art as a problem of theory and history of culture



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Review

For citations:


Khrenov N.A. “THEURGY” PHILOSOPHICAL CONCEPT AND RELATIONSHIPS BETWEEN PHILOSOPHY, ART AND RELIGION IN MODERN RUSSIA. Concept: philosophy, religion, culture. 2018;(3):15-57. (In Russ.) https://doi.org/10.24833/2541-8831-2018-3-15-57

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