BASIC PERSPECTIVES OF VLADIMIR NABOKOV’S METAPHYSICS
https://doi.org/10.24833/2541-8831-2018-3-7-170-177
Abstract
Vladimir Vladimirovich Nabokov is a distinctive representative of Russian literature in the 20th century. His works are studied by many famous artists in many countries. The conciseness and beauty of his language are unique characteristics of Nabokov’s creation. His works show great philosophical depth, high moral values, and aesthetic accomplishments. His erudition has also attracted the attention of the world. This paper mainly expounds his metaphysical ideas: Nabokov’s metaphysics is mainly expressed in his great understanding of the world and his ability to understand and his longing for something grand and incomparable. His philosophical, ethical and moral ideas have incorporated the views of various literary schools, formalism, and structuralism at home and abroad. In addition, this article analyzes the relationship between philosophy, ethics, linguistics, reality and non-reality, reality and lies through the study of many works of the author; it clearly defines the distinction between “game” and “acting”; explained a series of problems of the author’s creation techniques; summed up the themes such as “time and permanence”, “memory and memories” in Nabokov’s works. These are all reflected frequently in Nabokov’s works. It is precisely because of this that his works have also been studied as metaphysical works for the public.
About the Authors
C. HongChina
master, Associate Professor at Scool of Foreing Studies in Hebei Normal University, speciality “Russian language and literature” (China)
W. Xiumei
China
master, Teacher at Scool of Foreing Studies in Hebei Normal University, speciality “Russian language and literature” (China)
References
1. Averin B.V. Romany V. Nabokova v kontekste russkoĭ avtobiograficheskoĭ prozy i poėzii [Novels by V. Nabokov in the context of the Russian autobiographical prose and poetry]: Dis. d-ra filol. nauk: 10.02.01. SPb., 1999. 318 s.
2. Aleksandrov V.E. Potustoronnostʹ v «Dare» Nabokova [Potustoronnost in Nabokov’s “Gift”] // Pro et contra: Lichnostʹ i tvorchestvo V.Nabokova v ot͡senke russkikh i zarubezhnykh mysliteleĭ i issledovateleĭ: Antologii͡a. SPb.: Rus. Хristian. guman. in-t, 1999. S. 75–395.
3. Bart R. Izbrannye raboty: Semiotika. Poėtika [Chosen works: Semiotics. Poetics]. M.: Progress, 1989. 615 s.
4. Berdi͡aev N.A. Samopoznanie [Self-knowledge]. L.: Lenizdat, 1991. 395 s.
5. Boĭd B. Metafizika V.Nabokova: retrospektivy i perspektivy [V. Nabokov’s metaphysics: Retrospectives and Prospects] // Nabokovskiĭ vestnik. Vyp. 6. SPb.: Dorn, 2001. S. 146–155.
6. Voronina O.I͡U. «Igra mirov» i khudozhestvennai͡a realʹnostʹ: ontologicheskai͡a problematika v tvorchestve V.V. Nabokova [“Game of the worlds” and art reality: an ontologic perspective in V.V. Nabokov’s creativity] // Nabokovskiĭ vestnik. V.V. Nabokov i Serebri͡anyĭ vek. Vyp.6. SPb.: Dorn, 2001. S. 156–166.
7. Klassik bez retushi: Literaturnyĭ mir o tvorchestve V.Nabokova [The classic without retouch: Literary world about V. Nabokov’s creativity]/ Sost. N.G.Melʹnikov, .A.Korostelev. M.: Novoe lit. obozrenie, 2000. 681 s.
8. Lipovet͡skiĭ M.N. Russkiĭ postmodernizm. Ocherki istoricheskoĭ poėtiki: monografii͡a [Russian postmodernism. Sketches of historical poetics: monograph]. Ekaterinburg, 1997. 317 s.
9. Lipovet͡skiĭ M.N. Ėpilog russkogo modernizma. Хudozhestvennai͡a filosofii͡a tvorchestva v «Dare» Nabokova [Epilog of the Russian modernism. Art philosophy of creativity in Nabokov’s “Gift”] // Pro et contra: Lichnostʹ i tvorchestvo V.Nabokova v ot͡senke russkikh i zarubezhnykh mysliteleĭ i issledovateleĭ: Antologii͡a. SPb.: Rus. Хristan. guman. in-t, 1997. S. 643–666.
10. Li͡uksemburg A.M. Ambivalentnostʹ kak svoĭstvo nabokovskoĭ igrovoĭ poėtiki [Ambivalence as property of Nabokov’s game poetics] // Nabokovskiĭ vestnik, vyp.1. SPb., 1998. S. 16 – 25.
11. Li͡uksemburg M.A. Strukturnai͡a organizat͡sii͡a nabokovskogo metateksta v svete teorii igrovoĭ poėtiki [The structural organization of the Nabokov’s metatext in the light of the theory of game poetics] // Tekst. Intertekst. Kulʹtura. M.: I͡azyk rus.kulʹtury, 2002. – S. 319–330
12. Nabokov V.V. Dar [Gift] // Russkiĭ period. Sobranie soch. v pi͡ati tomakh. SPb.: Simpozium, 2000. T. 4. S. 188–545.
13. Nabokov V.A. Lekt͡sii po zarubezhnoĭ literature [Lectures on foreign literature]. SPb., 1998. 420 s.
14. Pavi P. Slovarʹ teatra [Dictionary of theater] / Per. s fr. pod red. K.Razlogova. M.: Progress, 1991. 481 s.
15. Ri͡aguzova L.N. Ėsteticheskie i teoretiko-literaturovedcheskie poni͡atii͡a V.V.Nabokova [Esthetic and teoretiko-literary concepts of V.V. Nabokov] // Tekst. Intertekst. Kulʹtura. M.: I͡Azyk rus. kulʹtury, 2001. S. 343–353.
16. Struve G. Nabokov – Sirin [Nabokov – Sirin] // Pro et contra: Lichnostʹ i tvorchestvo V.Nabokova v ot͡senke russkikh i zarubezhnykh mysliteleĭ i issledovateleĭ: Antologii͡a. SPb.: Rus. Хristian. guman. in-t, 1997. S. 272–283.
17. Хodasevich Vl. O Sirine [About Sirin] // Pro et contra: Lichnostʹ i tvorchestvo V.Nabokova v ot͡senke russkikh i zarubezhnykh mysliteleĭ i issledovateleĭ: Antologii͡a – SPb.: Rus. Хristian. guman in-t, 1999. – S. 244–250.
18. Huteheon, Linda. Narsissitic Narrative: Metafictional Paradox [Z]. Ontario: Willford UP, 1981.
Review
For citations:
Hong C., Xiumei W. BASIC PERSPECTIVES OF VLADIMIR NABOKOV’S METAPHYSICS. Concept: philosophy, religion, culture. 2018;(3):170-177. (In Russ.) https://doi.org/10.24833/2541-8831-2018-3-7-170-177